Over
the next few years, things at ABT just got better. I became a soloist
with the company—the first black dancer to do so in more than two
decades. And in 2012 I landed my biggest role yet, headlining in
Firebird. I remember walking out of rehearsal in jeans and sandals to
get my hair done for the premiere. When I turned onto the sidewalk, I
saw it: a huge billboard on the front of the Metropolitan Opera House
with my picture on it. I was in profile, wearing a red leotard, with
my chest and back arched so you could see my full, feminine breasts
and my round butt. It was everything that people don't expect in a
ballerina. I stood completely still for five minutes, just crying. It
was beauty. It was power. It was a woman. It was me.
Excerpt
about body struggles of a ballerina from : http://www.foxnews.com/health/2014/03/14/stretching-beauty-ballerina-misty-copeland-on-her-body-struggles
To
learn more about Misty Copeland see also ~
en.wikipedia.org/wiki/Misty_Copeland
The
power of dance is moving. The power of Misty Copeland (American
Ballet Theatre Soloist) is in her strong silent sensuality,
showing young girls you can make your dreams come true if you work
hard, and don't give up.
Author : Life in Motion: An Unlikely Ballerina. www.mistycopeland.com
Author : Life in Motion: An Unlikely Ballerina. www.mistycopeland.com
2014
Zimation Arts & Letters Ink
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